The White Road

John Connolly's harrowing Charlie Parker adventures continue in The White Road, a bleak modern gothic tale detailing the tortured detective's metaphorical journey into the unthought of depths of the underworld as he follows a trail of horrors in America's deep South. Doggedly loyal to old friends and stubbornly supportive of lost causes, Parker encounters his own ghosts in a place where atmosphere alone would murder hope. The chilling preacher Faulkner is again a dark presence in the background while Parker's friends, Angel and Louis, damaged and deadly, follow their own avenging trail. There can be no greater compliment to Connolly's powers of description than to say that no US writer could improve on the Irish journalist's masterly summoning of the roots of American regional evil and sense of place. Superb storytelling that binds diverse and hypnotic strands of plot with Biblical overtones and fury. The villains are larger than life and diabolically unforgettable: from the strange and menacing Mr Kittim to deformed killer Cyrus Nairn, both of whom lead Parker down one shadowy road after another. Compelling adventures from start to finish, if the very stuff of waking nightmares. The dark side has never proven so damn seductive.

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