Between 1841 and 1844, Edgar Allan Poe invented the genre of detective fiction with three mesmerizing stories of a young French eccentric named C. Auguste Dupin. Introducing to literature the concept of applying reason to solving crime, these tales brought Poe fame and fortune. Years later, Dorothy Sayers would describe “The Murders in the Rue Morgue” as “almost a complete manual of detective theory and practice.” Indeed, Poe’s short mysteries inspired the creation of countless literary sleuths, among them Sherlock Holmes. Today, the unique Dupin stories still stand out as utterly engrossing page-turners.
Utdrag ur boken:
“If now, in addition to all these things, you have properly reflected upon the odd disorder of the chamber, we have gone so far as to combine the ideas of an agility astounding, a strength superhuman, a ferocity brutal, a butchery without motive, a grotesquerie in horror absolutely alien from humanity, and a voice foreign in tone to the ears of men of many nations, and devoid of all distinct or intelligible syllabification. What result, then, has ensued? What impression have I made upon your fancy?”
I felt a creeping of the flesh as Dupin asked me the question. “A madman,” I said, “has done this deed – some raving maniac, escaped from a neighboring Maison de Santé.”